Organic patterns, forms and materials have an instinctive draw; work may look determinedly abstract to the naked eye, but by using a spiral or circle, or a familiar material, the viewer’s gaze is lured inward, as if into a ‘field of attraction’, only to be repulsed or even menaced by the associations that unfold once ‘inside’. At the same time the scale and delicacy of the work reinforce the potential for awe and beauty in the unconventional.
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